Natasha Ginwala, faculty at large, is the Artistic Director of Colomboscope, in Colombo, Sri Lanka. She is a former associate curator at Gropius Bau, Berlin, and was an artistic director of the Gwangju Biennale 2020, with Defne Ayas. Ginwala curated Contour Biennale 8, Polyphonic Worlds: Justice as Medium, and was part of the curatorial team of documenta 14, 2017. Other recent projects include Colomboscope: Sea Change (2019); Arrival, Incision. Indian Modernism as Peripatetic Itinerary, which was a section of Hello World. Revising a Collection at Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2018; Riots: Slow Cancellation of the Future, at ifa Gallery Berlin and Stuttgart, 2018; My East is Your West at the 56th Venice Biennale, 2015; and Corruption: Everybody Knows with e-flux, New York, 2015. Ginwala was a member of the artistic team for the 8th Berlin Biennale for Contemporary Art, 2014, and co-curated The Museum of Rhythm, at Taipei Biennial 2012 and at Muzeum Sztuki, Lodz, 2016–17. Ginwala writes on contemporary art and visual culture in various periodicals and has contributed to numerous publications. She is a recipient of the 2018 visual arts research grant from the Berlin Senate Department for Culture and Europe.