Sara Garzón, Ph.D., is a curator and art historian specializing in Latin American contemporary art. Her research focuses on decoloniality, temporality, and ecocriticism. Garzón has received numerous grants and fellowships, including the Andrew Harris Postdoctoral Fellowship at the University of Vermont and, at the Metropolitan Museum of Art, both the Jane and Morgan Whitney Curatorial Fellowship and the Lichez/Stronach Curatorial Fellowship. This year she is serving as Associate Curator of the II Amazon Biennial titled Verde Distancia (August 2025); previously she was Curator at Canal Projects, New York, where she managed new commissions by artists such as Korakrit Arunanondchai, Candice Lin, Emilija Škarnulytė, Fernando Palma Rodríguez, and others.

In 2023–2024, Garzón curated “South to South: A Meeting on African and Afro‑Diasporic Technologies,” organized by Pivô (São Paulo) and Centre d’Art Waza (Lubumbashi, Congo) with support from the Humboldt Forum in Berlin. This project is one of several research initiatives she has led at the intersection of technology, cosmology, and territory. Garzón has contributed to numerous exhibition catalogues, and anthologies, peer‑reviewed journals. Most recently, her article “Manuel Amaru Cholango: Decolonizing Technology and the Construction of Indigenous Futures” received the 2020 Best Essay in Visual Culture Studies award from the Latin American Studies Association (LASA).