Sara Garzón, Ph.D., is a curator and art historian based in New York City. Sara specializes in Latin American contemporary art after the 1990s and focuses on issues relating to decoloniality, temporality, and ecocriticism. Sara has been the recipient of numerous grants and fellowships including the Andrew Harris Postdoctoral Fellowship at the University of Vermont (2021-2022), the Jane and Morgan Whitney Curatorial Fellowship (2020-2021), and the Lichez/Stronach Curatorial Fellowship (2014-2015) at the Metropolitan Museum of Art. Recently she was also appointed curator of the “South to South: A Meeting on African and Afro-Diasporic Technologies” (2023-2024), which is organized by Pivô in Brazil and Centre d'art Waza in Lubumbashi, Congo. This is one of the research projects that Sara leads on the intersection between technology, cosmology, and territory. Sara has contributed to several exhibition catalogs, anthologies, peer-reviewed journals, and art magazines. Most recently Sara’s article titled “Manuel Amaru Cholango: Decolonizing Technology and the Construction of Indigenous Futures,” was awarded Best Essay in Visual Culture Studies 2020 by the Latin American Studies Association (LASA).