MACP alumnus Patrick Jaojoco reviews Kiluanji Kia Henda's work on view at iscp for Artforum
August 28, 2017
"A metal sign reading Miragem—the Portuguese word for “mirage”—once sat in the restaurant of a small desert community, rusted through from the billowing sands of southern Angola. A photograph of the peculiar sign, Rusty Mirage, 2015, is the centerpiece of Kiluanji Kia Henda’s current exhibition, a meditation on the failures of the modern city. In the main room, a four-channel video installation, Paradise Metalic [sic], 2014, outlines the birth of a mythological country. The Man with the Shovel, the hero of the story, seeks to answer the question, How do you build that which is God’s and not man’s? He lays claim to a small patch of land in the desert by driving a circle of stakes into the ground, then celebrating this simple success with his trusty assistant. In the subsequent chapters, however, the black-clad spirits of nature show their might: They push the stakes deeper into the earth, making them invisible, and obliterate a newly made concrete wall. This drama, with its focus on the assembly and destruction of simple geometric forms and architectures, plays out like a Minimalist soap opera."